All of them are fully locked in and relentlessly pursuing some otherworldly ideal known only to them, and now, because you’re listening, known to you as well. Once begun that path soon leads to such other stalwarts as Duke Ellington’s “Rockin’ In Rhythm” and Sister Rosetta Tharpe’s “Rock Me” and even such unlikely participants as the Boswell Sisters “Rock & Roll”, leading some armchair historians to make a simplistic connection and insist those must be the true origins of rock ‘n’ roll.The other alternative may be worse however. Complete 1 1945-1948 Moore, Wild Bill ... We're Gonna Rock, We're Gonna Roll [feat. Watch the music video and discover trivia about this classic R&B song now. All rights reserved. Wild Bill Moore (William M. Moore, Houston, Texas, June 13, 1918 – August 1, 1983 Los Angeles, California) was an American rhythm & blues tenor saxophonist. Top Albums Bottom Groove Moore, Wild Bill. Genres: Jump-Blues.
----- We’re Gonna Rock, We're Gonna Roll – Wild Bill Moore ----- Tabbed by: maguri Tuning: Standard Wild Bill Moore We’re Gonna Rock, We're Gonna Roll (1947) (William Moore) One of the earliest Rock'n'Roll records by the American R&B and jazz saxophone player Wild Bill Moore.
. Song information for We're Gonna Rock We're Gonna Roll - Wild Bill Moore on AllMusic 2:38 A title that would stand out and make the listener take notice – of the record, of the style of music itself – and want to hear what this music had to offer.The term “rock ‘n’ roll” itself has a long and winding history and many treatises have been written about its evolution from a common nautical reference to a sailing ship’s “to and fro” motion on the high seas to its appropriation by the black community as a euphemism for sexual intercourse and then its subsequent hijacking by others in music as a vague term of excitement, be it social, dancing, romantic or otherwise. Moore on tenor and Paul Williams on baritone, a steady thudding backbeat provided by the rock solid rhythm section of Herman Hopkins and Reetham Mallett on bass and drums respectively, urging them on as the two climb higher and higher. William M. "Wild Bill" Moore (June 13, 1918 – August 1, 1983) was an American R&B and jazz tenor saxophone player.
We're Gonna Rock / Harlem Parade So something definitive to tie it all together, something catchy and a little bit “cool” was imperative. Label: Savoy Records - 666 • Format: Shellac 10 Bill Moore* - We're Gonna Rock / Harlem Parade (1948, Shellac) | Discogs In 1948 the #26 R&B song in the charts was We're Gonna Rock, We're Gonna Roll by Wild Bill Moore. The horn riff opens like a clarion call for wickedness before giving way to T.J. Fowler’s barrelhouse piano which strings out the tension. Trixie Smith, a blues artist who’d sadly be all but forgotten otherwise, is widely credited with the first recorded use of it in 1922’s “My Man Rocks Me (With One Steady Roll)”, that sends many a curious sort scurrying off to YouTube to hear for themselves. Living in Detroit, he was Michigan's amateur Golden Gloves light heavyweight champion in 1937, and turned professional for a while, but also played the alto saxophone. Starting with Roy Brown’s Good Rocking Tonight in the fall of 1947 and now again with Wild Bill Moore, artists continually merged the term with the music and forged a singular identifying meaning to encompass it all. Moore earned a modest hit on the Hot R&B charts with "We're Gonna Rock, We're Gonna Roll", which also was one of the earliest rock and roll records.. Moore was born in Detroit Michigan and began playing the alto saxophone at an early age. Wild Bill Moore discography and songs: Music profile for Wild Bill Moore, born 13 June 1918. Wild Bill Moore The Best Of ℗ 2013 AP MUSIC LTD Released on: 2014-12-19 Auto-generated by YouTube. ----- We’re Gonna Rock, We're Gonna Roll – Wild Bill Moore ----- Tabbed by: maguri Tuning: Standard Wild Bill Moore We’re Gonna Rock, We're Gonna Roll (1947) (William Moore) One of the earliest Rock'n'Roll records by the American R&B and jazz saxophone player Wild Bill Moore. Watch the music video and discover trivia about this classic R&B song now. Starting with Roy Brown’s Good Rocking Tonight in the fall of 1947 and now again with Wild Bill Moore, artists continually merged the term with the music and forged a singular identifying meaning to encompass it all.
Wild Bill Moore (William M. Moore, Houston, Texas, June 13, 1918 – August 1, 1983 Los Angeles, California) was an American rhythm & blues tenor saxophonist. With the most promising vocal cuts released early in the year, the rest of their supplies in that area were stretched thin. Digital Music. MP3: $9.49. He’s being encouraged by a gravelly voice to “The horns then take off. It’s interesting to contemplate just what effect this infernal musicians strike which wiped out any new recordings for much of 1948 had on the musical direction of rock and what it might’ve morphed into instead had the entire industry been able to keep cutting new sides. Because most of what came out for the bulk of 1948 was recorded in late 1947, those initial ideas – and the slight variations of them – got to be absorbed over a longer period of time. Paul Williams] on Stompin' At The Savoy: The Original Indie Label, 1944-1961. New Submission For Savoy Records it gave them two bankable stars rather than just one, and from this point forward both Moore and Williams would be name attractions.