your own Pins on Pinterest Magic Flute Analyses My year 9 class were given a task to analyse a major work of Mozart's using the 6 musical concepts. From a production of The Magic Flute at Texas A&M University–Commerce: the Queen of the Night menaces the terrified Pamina. " Its mood is sometimes childish, sometimes utterly solemn. Tamino assumes that it was Papageno who … It was first performed on 30 September. Though the Burgtheater was a key part of the cultural life of Vienna, the Emperor took a more relaxed approach to theatres outside the city walls. Hm!”). A singspiel is a work in German that has both singing and spoken word. The first studio recording of the work, with Sir Thomas Beecham conducting the Berlin Philharmonic, was completed in 1938. We only know about him through the reports of others, and they are not all that flattering. Heartz (2007, 284). Body. Hofer, his sister-in-law, who was the Queen of the Night in the original cast of "The Magic Flute." Together Tamino and Papageno set forth (Quintet: “Hm! Seeing that Tamino will not speak to them, the ladies withdraw in confusion. In ensembles, Mozart skillfully combined voices of different ability levels. When he does, Papagena reappears and the two sing about their happy future. The Queen of the Night is seen by some to represent a dangerous form of obscurantism, by others to represent Roman Catholic Empress Maria Theresa, who … The Queen is sometimes referred to by the name “Astrifiammante”, an Italian translation of the German adjective “sternflammende” (“star-blazing”) in the original libretto. The first recording of The Magic Flute was of a performance at the 1937 Salzburg Festival, with Arturo Toscanini conducting the Vienna Philharmonic and Vienna State Opera. What’s now obvious but more difficult to explain away is why in Mozart’s setting of The Magic Flute there are no significant mezzo-soprano roles. Paul Nettl, in Mozart and Masonry, calls the libretto "a book of human wisdom, consummated as a work of art by Mozart."[p. Papageno happily takes the credit – claiming he strangled it with his bare hands. He tells Tamino that Sarastro is benevolent, not evil, and that he should not trust the Queen of the Night. As the overture plays, we see a sunlit field, soldiers in trenches preparing for war, and a chamber orchestra on the battlefield playing the music. But he refuses to return her to her mother, whom he describes as a proud, headstrong woman, and a bad influence on those around her. It’s 1791 and all is well for W. A. Mozart. The Three Genii are also counterparts to the Three Ladies—singing in the same range, and employing a trinity of voices to lend greater spiritual weight to their utterances. Tamino begins to play the flute, which summons Pamina. (2005) “Three posthumous reports concerning Mozart in his late Viennese years,”. Desolate to be without a wife, Papageno tries to hang himself on a tree but is saved by the three spirits, who remind him that if he uses his magic bells he will find true happiness. The opera is also influenced by Enlightenment philosophy, and can be regarded as an allegory advocating enlightened absolutism. Thus, the vocal lines for Papageno—sung by Schikaneder himself—and Monostatos (Johann Joseph Nouseul) are often stated first in the strings so the singer can find his pitch, and are frequently doubled by instruments. You can see my first post about The Magic Flute as a Singspiel here. The Queen of the Night (Konigin der Nacht in German) is the main antagonist in Wolfgang Amadeus Mozart's famous 1791 opera Die Zauberflöte (The Magic Flute). Papageno, on the other hand, is neither inherently good nor evil. He is an actor who commissions Mozart to write an opera. As a tenor, he represents the “anti-Tamino” in the same way that Papageno is the obverse of Sarastro. The Magic Flute was one of the last pieces Mozart wrote during his short life and there are many aspects of the opera that make it stand out amongst all of Mozart’s operas. It is hymn-like, grounded, unaffected, and without artifice or decoration. Animals appear and dance, enraptured, to his music. (Aria, Papageno: “Ein Mädchen oder Weibchen“). It is also a story and a text that is very flighty, improbable and full of absurdities. The vocal ranges of two of the original singers for whom Mozart tailored his music have posed challenges for many singers who have since recreated their roles. It captured the public’s imagination and is put on hundreds of times over the next 10 years all across Europe. 2021 © Utah Symphony | Utah Opera. I'm presently in a production of the Magic Flute at Seattle Opera, which has two great bass arias in it. Whether the Queen is malevolent in her use of deception to further her personal agenda or simply ignorant of the higher virtues is a plot detail that isn’t answered by Mozart’s music. So, when Tamino, who is the main character of The Magic Flute, enters the Temple of Wisdom, he is in fact being initiated into the Masonic Mysteries, or into a mythical version of it: as you will see, there is a lot of talk about Isis and Osiris, of pyramids and sphinxes, etc. They give Tamino a portrait of the Queen of the Night’s daughter Pamina, with whom Tamino falls instantly in love (aria: “Dies Bildnis ist bezaubernd schön” / This image is enchantingly lovely). Pamina is dragged in by Sarastro’s slaves, apparently having tried to escape. The character of Sarastro is presented to the audience in absentia in the first two scenes of Act I. Hm! Mozart did not have the pleasure of witnessing this milestone, as he had died 5 December 1791. Schikaneder and Mozart were Freemasons, as was Ignaz Alberti, engraver and printer of the first libretto. Zu Hilfe!“). Beneath the surface, however, the piece is much more complex. The opera is also influenced by Enlightenment philosophy and can be regarded as advocating enlightened absolutism. Schikaneder and Mozart were Masons and lodge brothers, as was Ignaz Alberti, engraver and printer of the first libretto. These musical characterizations form four dramatic pairs that provide the foundation of the “enlightened” vs. “unenlightened” story line. Email Signup. They are ridiculously good looking. He faints, and three ladies, attendants of the Queen of the Night, appear and kill the serpent. The Magic Flute is noted for its prominent Masonic elements, although some scholars hold that the Masonic influence is exaggerated. Its mood is sometimes childish, sometimes utterly solemn. Astral planes and Higher self Christian, the piece is much more complex (... 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