A self-portrait of a female artist at the time would be quite rare. Exhibitions; Exhibitions 2002 Jan Miense Molenaer, painter of the Dutch Golden Age, Nr. All Rights Reserved, Self-Portrait as the Allegory of Painting, Self-Portrait as Saint Catherine of Alexandria, Claude Monet Painting in His Garden at Argenteuil. Find art you love and shop high-quality art prints, photographs, framed artworks and posters at Art.com. The subject's expression is almost neutral, serious but not very serious, concentrating on the lute maybe. Feb 20, 2020 - Artemisia Gentileschi - Self-Portrait as a Lute Player - Artemisia Gentileschi - Wikipedia This painting has been copied by other artists, most notably by David Bailly in his 1651 self portrait with his artist’s influences, and by Adriaan de Lelie with his 1813 self portrait with Josephus Augustinus Brentano. From Wikipedia, the free encyclopedia The Lute Player refers to a painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, showing a smiling actor wearing a jester's costume and playing a lute. 22 Other works by Jan Miense Molenaer. Visited in 2017-18. Scientific research has also revealed that there was already a portrait upon the canvas prior to the lute player then being painted over the top. She wears a small gold hoop earring and her ear is small and fine, partly visible under her hair. Executed between 1616 and 1618, it hangs in the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, US. Self-Portrait as a Lute Player is an artwork on USEUM. This links with her well known preference for self-portraiture because of the high price of employing models as well. The paintings were produced in Gentileschi's studio in Florence and she consistently found models too expensive to employ regularly, therefore choosing to use her own image more frequently than she might otherwise have done. Self-Portrait as a Lute Player is a painting by the Italian baroque artist Artemisia Gentileschi. Miense Molenaer, Self-Portrait as a Lute Player, c. 1636/1637, oil on panel, National Gallery of Art, Washington, The Lee and Juliet Folger Fund fig. This painting was documented by Wilhelm von Bode in 1883, Ernst Wilhelm Moes in 1909 and Hofstede de Groot in 1910, who wrote "98. Other parts of them differ, though, and this suggests at the order in which she completed the different parts of both paintings. The exhibition idea stemmed from our acquisition of Artemisia's Self Portrait as Saint Catherine of Alexandria in July 2018, which means I only had about 18 months to put the show together. She would actually turn the canvas upside down and start again, quickly covering the original work and starting again in order to simply save money by re-using this canvas. Our canvas prints are crafted with premium materials to ensure gallery quality. Self Portrait as a Lute Player (c. 1615-18) by Artemisia GentileschiWadsworth Atheneum Museum of Art. Artemisia Gentileschi’s Self-Portrait as a Lute Player Listen to the music of Artemisia Gentileschi’s time, especially works featuring the lute and female composers of the 17th century, beside her Self-Portrait as a Lute Player in our newly renovated European art galleries. Self Portrait as a Lute Player 1615–1617, oil on canvas by Artemisia Gentileschi (1593–1653 or after) Away from her father, Gentileschi managed to establish herself as an artist in Florence, receiving the patronage of the Grand Duke Cosimo II of the Medici family. At this time his work reveals the influence of Frans Hals, evident here in the choice of the pose as well as the manner of applying touches of paint that enliven the composition. Angelo Bronzino 064.jpg 2,536 × 3,089; 374 KB. The inner frames are made with sustainably sourced, prime North American pine wood, and we use HD printing technology with … Within Self-Portrait as a Lute Player the artist wears beautiful and carefully crafted items, such as a patterned dress with a matching cloth which holds her hair in place. She has long light brown hair, wrapped in a shimmering gold and beige headscarf which doesn't cover all of her hair. The painting was purchased by Gustave de Rothschild (1829–1911) in 1873 and remained in the family over a century until 1984. Self-Portrait as a Lute Player by Italian painter Artemisia Gentileschi, is an oil on canvas from 1616-18 with dimensions 77.5 × 71.8 cm. You will find this exquisite portrait within the collection of the Wadsworth Atheneum in Connecticut, USA. The painting background is a dark brown, with shadow and light. Self-Portrait as a Lute Player Giclee Print by Artemisia Gentileschi. The Wadsworth Atheneum has acquired a significant self portrait by Artemisia Gentileschi, “Self-Portrait as a Lute Player” (c. 1616–18). The painting had likely been commissioned by the duke in about 1616, when Artemisia was 25 years old and a new member of the drawing academy, the Accademia del Disegno, in Florence. The artist produced Self-Portrait as a Lute Player in around 1615-1617 and its similarity to Self-Portrait as Saint Catherine of Alexandria would clearly suggest that the two pieces were constructed either one after another, or possibly even at the same time. Self-Portrait playing a Lute falls within Steen’s most creative period when he lived in Haarlem in the 1660s. Oil on canvas 30 × 28 cm Curtis Galleries, Minneapolis. Self-Portrait as a Lute Player, c. (1635) Original, NGA-DC. Woman at the Virginal (1630 - 1640) Muzicirujici par. Her lute also holds considerable decorative detail around its centre and it is the royal blue tone of her dress most of all which really leaves behind a more grand and elegant finish. Our products are non-toxic, hypoallergenic, and ready to hang! Artemisia Gentileschi’s Self Portrait as a Lute Player is in the Wadsworth Atheneum of Art in Hartford,Connecticut. Main category: Biblical paintings by Artemisia Gentileschi. - Unknown Gentleman with Music Books and Lute - WGA11549.jpg 950 × 978; 139 KB. The subject's neck is fully visible and lacking in signs of age, her neck is bare and free from necklaces and ornaments. Self-Portrait as a Lute Player Self-portrait as a Female Martyr Self Portrait as the Allegory of Painting Portraits . Provides a transparent, protective coating. Self-Portrait as a Lute Player One of the leading painters of the Baroque age, Artemisia Gentileschi is among the boldest and most powerfully expressive woman painters in history. For example, the facial structure and placement is near identical from one to another and scientific comparisons have drawn the conclusion that the artist may have used tracing in order to make the two so similar in that regard. … Only one cheek is visible as one side of her face is in shadow. The show, instigated by the gallery’s 2018 acquisition of Gentileschi’s 1615 Self Portrait as Saint Catherine of Alexandria, joins a host of events celebrating the artist, including plays, books and even operas. Image above: Detail from Artemisia Gentileschi, 'Self Portrait as a Lute Player', about 1615-18. With a pre-sale estimate of $3-5 million, the painting failed to meet the reserve and did not sell at the auction. Self-Portrait as a Lute Player was the leading lot in Christie’s Old Master Paintings auction on January 29th. Significantly less expensive than an oil painting. Peasants Carousing (1662) Woman at the Virginal (1630 - 1640) Original, Rijksmuseum. Date Created: c. 1615-18. This painting stands out as it is a self-portrait but isn't a particularly flattering or graceful self-portrait, but shows the painter playing the lute, indicating that this is her passion. Hans Holbein d. J. In Self-Portrait as a Lute Player, the artist wears a low-cut bodice and suggestively tilts her head towards the viewer, leading to speculation that Artemisia sought to depict herself as a courtesan. The painting had likely been commissioned by the duke in about 1616, when Artemisia was 25 years old and a new member of the drawing academy, the … Self-Portrait as a Lute Player, c. (1635) Peasants Carousing (1662) Original, Museum of Fine Arts-Boston. The portrait is upper body and head, with the profile on one side of her face turned to look at the artist but both eyes are visible. Her chin and nose also have a certain blush to them. The feature of the painting is the lute which the subject is holding with both hands and resting on her lap, she has both hands on the strings of the lute, as if to play. Self-Portrait as a Lute Player Artemisia Gentileschi 1610s Wadsworth Atheneum Museum of Art. Title: Self Portrait as a Lute Player. In her self-portraits, Artemisia often experimented with different characters and identities. The venue remains one of the oldest art institutions in the country, having been opened way back in the mid-19th century. The story featured may in some cases have been created by an independent third party and may not always represent the views of the institutions, listed below, who have supplied the content. The Lute Player refers to a painting from 1623 or 1624 now in the Louvre by the Haarlem painter Frans Hals, ... such as Jan Steen's self-portrait as a smiling lute player. Self-Portrait as a Lute Player :: Artemisia Gentileschi « Previous photo: Next photo » Artemisia Gentileschi (1597-1651) Self-Portrait as a Lute Player oil on canvas 1615-1617 71.12 x 76.2 cm ( 28 x 29,9 inch ) Private art collection image: Public domain Submitted by: marina51. Unlike his wife, who depicted herself painting, as seen in the Gallery’s wonderful Self-Portrait from around the same time, … Some of the highlights to be found here include the likes of St Francis in Ecstasy by Caravaggio, Interior of a Picture Gallery with the Collection of Cardinal Silvio Valenti Gonzaga by Giovanni Paolo Pannini, Claude Monet Painting in His Garden at Argenteuil by Pierre-Auguste Renoir and also The Lady of Shalott by William Holman Hunt. The Italian painter Artemisia Gentileschi (1593-1656) is celebrated as a portraitist and imaginative interpreter of popular biblical and historical themes. Self-Portrait as a Lute Player, which Molenaer painted a few years after his marriage, is one of his most engaging works with a musical theme. Hans Holbein d. J. Accurately reproduced to museum quality standards. Visited in 2018. Artemisia Gentileschi painted her Self Portrait as a Lute Player in 1617 at age 24. It was created by Artemisia Gentileschi in 1617. Thankfully for her own career, she was naturally pretty and had a strong facial structure which made her well suited for self portraits or to pose in other guises as she would also do. © www.ArtemisiaGentileschi.org 2021. Expertly playing while granting us an assured look, the artist paints the artist, as an artist and is keen to appear as Renaissance woman. Self-Portrait as a Lute Player (1615–18) When this work came up for auction at Sotheby’s in London in 1998, it was virtually unknown. Wadsworth Atheneum Museum of ArtHartford, United States. Boutique Artemisia Gentileschi , Self Portrait as a Lute Player artemisia-gentileschi sweat à capuches conçue par YOUR NAME IN ART ainsi que d'autres marchandises artemisia-gentileschi à TeePublic. Commandez ODSAN Self-Portrait As A Lute Player - By Artemisia Gentileschi - Giclée sur toile 20x22 pouces - … Self-portrait as a Lutenist by Jan Steen (3 F) W Woman Playing a Lute (Veneto) (7 F) Media in category "Portraits with lute" The following 85 files are in this category, out of 85 total. 100% satisfaction guaranteed. Amazon.fr: Petits prix et livraison gratuite dès 25 euros d'achat sur les produits ODSAN. Wadsworth Atheneum Museum of Art, Hartford, CT Charles H. Schwartz Endowment Fund 2014.4.1 ©️ Wadsworth Atheneum Museum of Art The striking Self-Portrait as a Lute Player was recorded in a 1638 inventory of the Florentine Duke Cosimo II de’ Medici’s possessions. The gown's sleeves go to just below the elbow, and there are gold bands of decoration across the gown as well as a gold sash. It is believed to have been painted for the Medici family in Florence, based on a 1638 inventory of Villa Medici in Artimino. “Self-Portrait as a Lute Player” was discovered in a private European collection in 1998 and purchased by the venerable Wadsworth Atheneum Museum of Art in Hartford, Conn., in 2015. Her gown highlights her bosom, giving the top of her bosom maximum exposure while uplifting it as well as exposing a good portion of her shoulder. She is dressed in a silken light blue low-cut gown with an under-layer in white. The lute is beige and brown, five or six strings and medium sized, it has an intricate pattern in its centre and is oval in shape and has a bent stem design with tuning knobs on the top end. Embellishment hand-painted by a skilled artist. Self-portrait as a lute player. The image is in the Public Domain, and tagged Music and Self-portraits. On this day in 1593 Artemisia Gentileschi, an Italian Baroque painter who is today considered one of the most accomplished painters in the generation following that of Caravaggio, was born. Details. The picture’s Florentine origins are also evident in the sumptuousness of the costume, particularly the elaborate gold embroidery and the opulent fabric of the turban and sash. Aspects of the painting have also been copied, such as the pose of the hands and the upward smiling face, such as Jan Steen’s self portrait as a smiling lute player. Her hands and arms are fine but muscular and her fingernails are short. Most interestingly from the perspective of Artemisia, there is also Judith and Her Maidservant with the Head of Holofernes as complete by her father, Orazio, which dates from around 1621-1624, which was just a few years after his daughter's painting which we find displayed here in front of us. Adds texture, depth and dimension to the canvas. The main difference to be found between this painting and Self-Portrait as Saint Catherine of Alexandria which is now to be found at the National Gallery in London, UK, would have to be the style of the clothing found in both artworks. Log in to USEUM to download unlimited free images, send e-cards and interact with thousands of famous paintings, drawings and illustrations. The painting is housed in the Wadsworth Atheneum collection in Connecticut, USA. Self-Portrait as a Lute Player was likely commissioned by Grand Duke Cosimo II de’ Medici, as it is recorded in a 1638 inventory of the Villa Medici at Artimino. Brush strokes similar in "look and feel" to an oil painting. In addition, musical instruments like the lute that Artemisia gently plays often served as metaphors for sexual contact by early modern artists and writers. Self-Portrait as a Lute Player is a Baroque Oil on Canvas Painting created by Artemisia Gentileschi from 1615 to 1617. The dark ground behind Artemisia reveals the influence of the artist Caravaggio, an associate of Artemisia’s father, who set his subjects in high contrast against dark grounds, but the dark backdrop of Artemisia’s painting also creates a sense of drama that mirrored current innovations in theatrical stage design. Her cheekbone is prominent, with a blush, real or artificial, running along under her eye. The striking Self-Portrait as a Lute Player was recorded in a 1638 inventory of the Florentine Duke Cosimo II de’ Medici’s possessions. They have a varied selection of art and antiquities, with a section devoted purely to the genre of European paintings. It lives at the Wadsworth Atheneum in the United States. Self-portrait as a Female Martyr, 1615, Saint Cecilia as a Lute Player, 1620, Judith décapitant Holopherne, 1620, Lucretia, 1620; Cléopâtre, 1620; Dame assise de trois-quarts, 1620; Portrait of a Condottiero, 1622, Judith and Her Maidservant with the Head of Holofernes, 1624; Aurora, 1627; Woman Playing a Lute… She has a handsome face with eyes that are possibly green, a slight shadow under them, neat eyelashes and eyebrows, her forehead is high, with the hair swept off it, and she has a nicely shaped nose and lips. However, Artemisia more likely represented herself as a gypsy, an increasingly popular character in seventeenth-century drama and the subject of plays written for the Medici court. Condottiero A lady Religious Bible . Visited in 2019. Creator: Artemisia Gentileschi. Baroque artist Artemisia Gentileschi, “ self-portrait as a Lute Player is in the Wadsworth Atheneum has acquired a Self! 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