RiP! The film made its US debut at the South by Southwest festival on 15 March 2009. Recording Industry Association of America, International Documentary Film Festival Amsterdam. Rip! In it they discuss his ‘Night Ripper’ album, which is made entirely from samples, some are short as one drum hit. But that is a far cry from arguing that everybody should do that, and that the only allowable business model is charging for live performances.The makers of the documentary should then have asked how the model could be changed so that you keep the good parts of it, while stopping the more egregious overreaches. Rip is a dazzling frontal assault on how corporate culture is using copyright law to muzzle freedom of expression. On 27 February 2009 Brett Gaylor started a new project on his site, Open Source Cinema, dubbed RiP! RiP: A Remix Manifesto : A Remix Manifesto made its international debut at the IDFA (International Documentary Film Festival Amsterdam) in November 2008. : A Remix Manifesto is a 2008 open source documentary film about the "the changing concept of copyright" directed by Brett Gaylor. He is also the web producer of the Homeless Nation.org, a web project dedicated to bridging the digital divide – allowing everyone to participate in online culture. RiP! The documentary is particularly interested in the legal grey area of remixing existing works. : A Remix Manifesto received mixed reviews from critics; The Globe and Mail called the film "A forceful, vibrant and immensely entertaining call to action." Lessig states that copyright extremism “does harm” to developing nations. : 'RiP' Challenges Intellectual Property Rights, "Getting 'RiP'ped – Brett Gaylor's RiP: A Remix Manifesto". Even while Walt Disney used other's ideas, he didn't take their drawings, stories, dialogue etc. The film starts with pop star and biomedical engineer Gregg Gillis, a.k.a. Which is why we love RiP: A Remix Manifesto, a documentary about copyright and remix culture. In RiP: A Remix Manifesto, Web activist and filmmaker Brett Gaylor explores issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. Public domain, therefore, is a more democratic way of looking at available information. Created over a period of six years, the documentary film features the collaborative remix work of hundreds of people who have contributed to the Open Source Cinema website, helping to create the "world's first open source documentary" as Gaylor put it. 11 years ago | 70 views. RIP: A Remix Manifesto offers a convincing case for copyright reform raising the issues about the viscous control on the ownership of intellectual property against the free access to share ideas. [11] It won the festival's Audience Award. With this project, he invited users to take the original documentary, remix it, and upload their contributions to be included in a new, improved version of the film. You must be a registered user to use the IMDb rating plugin. Not Rated | 1h 27min | Documentary, Music | April 2009 (USA) 3:06 | Trailer. CinemaTech interview with Brett Gaylor about Open Source Cinema project, Copyright or Copywrong? A Remix Manifesto is a feature documentary I wrote and directed over the course of six years in co-production with the National Film Board of Canada and Eyesteelfilm. The DVD for Brett Gaylor's documentary/essay on copyright and culture, RiP!A Remix Manifesto, is a curious artifact.Not only is the film available for … : A Remix Manifesto", "Walking on Eggshells: Borrowing Culture in the Remix Age", https://en.wikipedia.org/w/index.php?title=RiP! About the Film. Join filmmaker Brett Gaylor and mashup artist Girl Talk as they explore copyright and content creation in the digital age. RIP: A Remix Manifesto is an open source, participatory documentary about the intersection of Copyright, artists and culture in the modern technological era. That's like sharing ideas, man. Filmmaker Brett Gaylor, of Opensource Cinema fame, digs deep into the flaws of copyright in the information age, exploring the ever-murkier line between content consumers and producers. To enable a free remixing culture also with his film, he released RiP! RiP! Broadcast your events with reliable, high-quality live streaming. Do you think sampling can be considered an instrument akin to guitars, drums, etc. ?… Critics in Australia in particular struggled with the polemical nature of the film. : A Remix Manifesto prior to theatrical release. : A Remix Manifesto is a 2008 open-source documentary film about "the changing concept of copyright"[1][2] directed by Brett Gaylor.[3]. (2008). Poster designed in support of Rip! RiP: A Remix Manifesto. The movie explained how copyright laws were becoming intolerable, and just downright wrong. The project's working title was Basement Tapes,[4] (referring to the album of the same name) but it was renamed RiP! The film's central protagonist is Girl Talk, a mash-up musician topping the charts with his sample-based songs. It was a Selection at the South by Southwest Film Festival, at Les Rendez-vous du cinéma québécois, the Adelaide Film Festival, Thessaloniki Film Festival, Silverdocs, Nashville Film Festival, Victoria International Film Festival, Yamagata International Documentary Festival, Planete Doc (Poland), Available Light Film Festival, Buenos Aires Film Festival, Sheffield Doc/Fest and the Munich Dokfest, the New Zealand International Film Festivals, Guth Gaga Film Festival (Ireland), and the International Film Festival of Rio. A documentary which examines copyright issues in the information age. It was the closing film at Docs Barcelona. Allowing others to make remixes of this documentary is a starting point. The manifesto reads as follows: To further his point, Gaylor separates the corporations from the public domain, defining the former using so-called "CopyRIGHT," and the latter, which represents the free exchange of ideas, as "CopyLEFT. 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