Varda's city scavengers rifle through hastily abandoned open markets, restaurant Dumpsters, and piles of used … Portuges, Catherine. But while there's no denying that tastes differ, it's difficult to imagine anybody this side of Le Grinch failing to thoroughly enjoy The Gleaners and I, Agnès Varda's witty and touching portrait of those who retrieve what others have blithely tossed aside. There's a droll touch to many of the sequences that nicely counter-balances the darker moments. In 2000, Agnès Varda travelled the French countryside to study the world of foragers and scavengers called The Gleaners. Web. [6] The work was acclaimed by critics, achieving a score of 83/100 on Metacritic[7] and a 92% approval rating on Rotten Tomatoes. [1] In 2016, the film appeared at No. 20 Nov 2010. The Gleaners And I. In addition to its festival honors, The Gleaners and I was “declared the best French film of 2000 by the French Union of Film Critics, which broke with tradition by not choosing a dramatic film.”[10] It also brought audiences to theaters for over eight months. The film explores Cuban society and culture post-revolution. They were authorised to go quickly through the fields at sunset to pick … True to one of Millet's favourite subjects – peasant life – this painting is the culmination of ten years of research on the theme of the gleaners. Agnes Varda returns to the people she met in her 2000 documentary on gleaning and meets some new people who were inspired by her first film. Film details. rogerebert.com. Rent The Gleaners and I (2000) starring Bodan Litnanski and Agnès Varda on DVD and Blu-ray. She says the entire process took place between September 1999 and April 2000. In a 2014 Sight & Sound poll, film critics voted The Gleaners and I the eighth best documentary film of all time. Zeitgeist Films. “The Gleaners and I” can claim to possess the most rare and precious of characteristics in a piece of art: kindness. Recsk 1950-1953: The Story Of A Secret Concentration Camp In Communist Hungary, Los Angeles Film Critics Association Award for Best Documentary Film, Hôtel Terminus: The Life and Times of Klaus Barbie, National Society of Film Critics Award for Best Non-Fiction Film, New York Film Critics Circle Award for Best Non-Fiction Film, https://en.wikipedia.org/w/index.php?title=The_Gleaners_and_I&oldid=1010407618, Creative Commons Attribution-ShareAlike License. "The Gleaners and I." Directed by Agnès Varda • 2002 • France Starring Agnès Varda Agnès Varda’s charming follow-up to her acclaimed documentary THE GLEANERS AND I is a deceptively unassuming grace note that takes us deeper into the world of those who find purpose and beauty in the refuse of society. Wilson, Jake. This page was last edited on 5 March 2021, at 09:04. A film that presents the culture of gleaning in France. ... See full summary ». rogerebert.com, 11 May 2001. Not currently for rent elsewhere. A photo montage of Cubans filmed by Agnes Varda during her visit to Cuba in 1963. Mary-Jane, a lonely mother in her fourties, get absorbed in a sentimental affair with a 14 years old boy. Cleo, a singer and hypochondriac, becomes increasingly worried that she might have cancer while awaiting test results from her doctor. The Gleaners and I do speak with an 'open voice', yet a perspective on social and political issues is still implicated through structure and style: sound effects, voice-over narration, editing, cinematography and mise-en-scène. Since 1554, when King Henry IV affirmed the right of gleaning, it has been a practice protected by the French constitution, and today the men and women who sift through the dumpsters and markets of Paris are the descendants of gleaners who were painted by Millet and Van Gogh. Festival de Cannes, n.d. ZeitgeistFilms.com. Alternative titles. Synopsis. The Gleaners and I. Agnès Varda’s extraordinary late-career renaissance began with this wonderfully idiosyncratic, self-reflexive documentary in which the French cinema icon explores the world of modern-day gleaners: those living on the margins who survive by foraging for what society throws away. ", Darke, Chris. In The Gleaners and I, Varda films herself combing her newly discovered gray hair, and there are many visuals of her aging hands. Web. Film. You must be a registered user to use the IMDb rating plugin. Varda travels the French countryside as well as the city to find and film not only field gleaners, but also urban gleaners and those connected to gleaners, including a wealthy restaurant owner whose ancestors were gleaners. Title: Check out our editors' picks for the movies and shows we're excited about this month, like Mortal Kombat, "Them," and Stowaway. 99 on BBC's list of the 100 greatest films of the 21st century.[2]. It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world. 3 of 5 people found this review helpful. Anderson, M., and A. Varda. Add the first question. "Official Selection 2000." Amazon.com, Inc, n.d. The Gleaners and I is an exceptional, accomplished documentary that serves as a striking example of 'found cinema.' American Historical Review 106.1 2001. The whole family lives happily and likes to sing and to go to the movies. I said to my assistant, "Call everybody you know. “I'm not poor, I have enough to eat,” says Varda, but she points to “another kind of gleaning, which is artistic gleaning. It was entered into competition at the 2000 Cannes Film Festival ("Official Selection 2000"), and later went on to win awards around the world. Camera in hand, Varda interviews those for whom gleaning is a way of life, or an encompassing philosophy. As the camera hangs to her side the filming proceeds, and the viewer can see the shifting ground and the dangling lens cap with a jazz music background. History Cooperative Complete. Even Varda, herself, remarked at the film's success, "I've never in my entire career felt that people have loved a film of mine as much as this one.”[12], Ruby Rich believes that the appeal of The Gleaners and I "is due in considerable part to Agnès Varda’s own presence. Charleen or How Long Has This Been Going On? Get unlimited DVD Movies & TV Shows delivered to your door … This film has an unexpected brief interview with the psychoanalyst Jean Laplanche, plus follow-up segments on some of the featured people. "The Gleaners and I." Written by The film tracks a series of gleaners as they hunt for food, knicknacks, thrown away items, and personal connection. Jacquot Demy is a little boy at the end of the thirties. Les glaneurs et la glaneuse... deux ans après (original title) 1h 3min | Documentary | 18 December 2002 (France) Agnes Varda returns to the people she met in her 2000 documentary on gleaning and meets some new people who were inspired by her first film. Describing herself as a gleaner of ideas and images from interior as well as exterior journeys gives the director a special connection with her subjects in this honest and intriguing documentary. "Press Kit." Agnes Varda's documentary on murals in Los Angeles. Varda traveled alone to get most of her “gleaned” shots, scouting markets between 2 and 4 p.m. Tweet. "The Gleaners and I" places them in an ancient tradition. The Gleaners and I was first screened out of competition at the 2000 Cannes Film Festival ("Official Selection 2000"). The Gleaners And I doesn’t make such heavy weather of the point, but Varda is careful to establish that historically gleaning has been “women’s work” – even if the majority of present-day gleaners in the film are male. The film spends time capturing the many aspects of gleaning and the many people who glean to survive. Varda also spends time with Louis Pons, who explains how junk is a "cluster of possibilities. Show more. Want to share IMDb's rating on your own site? François, a young carpenter, lives a happy, uncomplicated life with his wife Thérèse and their two small children. Find out where The Gleaners and I is streaming, if The Gleaners and I is on Netflix, and get news and updates, on Decider. Varda’s rumination on this art of “living off the leftovers of others” finds inspiration in both past and present, rural and urban, the political and the highly personal. Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris. The Epic Film Challenge II#169 - The Gleaners and I (2000)Dir. "The Gleaners and I." Agnès Varda’s charming follow-up to her acclaimed documentary The Gleaners and I is a deceptively unassuming grace note that takes us deeper into the world of those who find purpose and beauty in the refuse of society. Agnès Varda entered the extraordinarily rich final phase of her legendary career with this casually brilliant documentary-cum-self portrait. (2000). “Gleaning” as a homely figure for resistance and appropriation certainly has a less than macho ring to it; as a political model it’s modest and pragmatic, strengthening our connection to the reality … Yet, for Varda, “the first-person, artisan film-making encouraged by digital video [was] nothing new.”[11] While she acknowledges video's convenience, she downplays any larger significance: "What's missing in all this talk of digital technologies is the understanding that ... they're not ends in themselves. The Gleaners and I (2000) Tweet. CINEASTE 26.4 (2001): 24-7. list of the 100 greatest films of the 21st century, "The Gleaners and I Reviews: Top Critics", Reviews and information from the Rotten Tomatoes website, Intolerance: Love's Struggle Throughout the Ages, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, Boston Society of Film Critics Award for Best Documentary Film. IMDbPro. "Emotion Picture: Agnes Varda's Self-Reflexive the Beaches of Agnes and the Cinema of Generosity.". 2000. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. The French title of this delightful, encouraging documentary underlines how Agnès Varda identifies with her subjects - social marginals who 'glean' a living, fr Documentary. Ultimately, the film's amateurish style is somewhat deceptive: Varda demonstrates her talent for finding significance in the mundane, and strikes a number of compelling parallels in her examination of scavenger culture. Anonymous, The Gleaners and I is odd in that it hardly feels like a proper film at all: it's shot on visibly cheap MiniDV, its editing is consistently unpolished, and it delights in crossing the line from personal to indulgent in excess. Festival de Cannes. Through flashbacks and interviews, we see the events that led to her inevitable death. The film is notable for its use of a hand-held camera and for its unusual camera angles and techniques. The Gleaners and I: Two Years Later ( 2002) The Gleaners and I: Two Years Later. She talks with and films urban gleaners, including an artist who creates his pieces from found objects and an odd fellow in giant rubber boots who has lived exclusively on trash for the past 10 years (and has never been ill!). The film does tend to coast on Varda's legendary new wave status at times, particularly as we linger on interviews and segments only tenuously related to the film's subject, but it's interesting as an example of a living legend embracing her medium's democratization: for all the good and bad it implies, she blends in seamlessly with the millions of talented people who own camcorders. Travelling along the French countryside, the film-maker follows a series of gleaners as they hunt for food, knicknacks, and personal connection; capturing the many aspects of gleaning and the many people who glean to survive — finding not only field gleaners, but also urban gleaners and those connected to the gleaners… The Gleaners and I is part guided tour, teaching us about a world that’s nearly invisible to most who don’t live in it, but it never feels didactic. I felt free at that time. Ebert, Roger. One day he meets Emilie, a clerk in the local post office. This FAQ is empty. In a film about gleaning, Varda recognizes that she is a gleaner. The result, The Gleaners and I, is a moving depiction of the people who — after the harvest — pick through the dirt to find potatoes and tomatoes left behind, scour the beach for oysters washed up after storms, pick grapes and figs that farmers reject, and go "dumpster diving" to recover discarded loaves of bread, sandwiches and other food. Most of the information is introduced seamlessly, like the way Varda lets a gleaner explain the difference between “gleaning” and “picking” soon after we’ve first heard the distinction and are beginning to wonder. A film that presents the culture of gleaning in France. As she notes in her interview with Melissa Anderson “I had the feeling that this is the camera that would bring me back to the early short films I made in 1957 and 1958. Web. "[13] Haden Guest argues that the ease with which Varda blends documentary and narrative technique is a key reason that her films continue to be so relevant, especially “as we witness a resurgence of documentary and a particularly strong interest in hybridized modes of fiction/nonfiction cinema” (48). With the new digital camera, I felt I could film myself, get involved as a filmmaker.”[17] Varda's choice to make a camcorder a primary tool of production as well as a central element of her film, can be seen as an implicit (if not explicit) recognition of a new digital era in documentary filmmaking. By turns playful, philosophical, and subtly political, THE GLEANERS & I is a warmly human reflection on the contradictions of our consumerist world from an artist who, like her subjects, finds unexpected richness where few think to look. Les Glaneurs et la Glaneuse Original French; ZBIERACZE I ZBIERACZKA Alternative; Synopsis. The aesthetic, political and moral point of departure for Varda are gleaners, those individuals who pick at already-reaped fields for the odd potato, the leftover turnip. Agnès Varda’s documentary about the gathering of unclaimed food and objects is a testament to the necessity of creation. Agnes Varda, Grande Dame of the French New Wave, describes her award-winning 2001 film as a "wandering-road documentary." But gleaners are largely forbidden in the Burgundy wine region, where surplus grapes are deliberately thrown on the ground to keep foragers away. Country. "Trash And Treasure: The Gleaners And I." They make the statement; they explain the subject better than anybody."[4]. Category. "Refuseniks (Agnes Varda's DV Documentary, the 'Gleaners and I'). For those who don’t know, gleaning consists of non-farmers collecting the year’s crops remains. ", Guest, Haden. His father owns a garage and his mother is a hairdresser. For Varda, the decision was in many ways a practical one. 12 Nov 2010. It's obvious that these are all deliberate choices; the question is, would we care if it didn't have the name Agnès Varda on it? Jake Wilson, on the other hand, conjectures that Varda (while perhaps not fully realizing it) tapped into the cultural zeitgeist and constructed a film that “embodies a quasi-anarchist ethos” that is built on a “resistance to consumerism, a suspicion of authority, and a desire to reconnect politics with everyday life.”, Varda's The Gleaners and I is notable in another regard, as well. Type. The Gleaners and I (2000) ★★★★ / ★★★★ Toward the end of Agnès Varda’s fascinating and compassionate documentary “The Gleaners and I,” we meet a man in the streets of Paris who visits outdoor markets to pick up thrown away food and eats them right there on the spot. Documentary. Web. 99 on BBC's list of the 100 greatest films of the 21st century. In one scene, she "catches" trucks on the freeway, forming a circle with her hand in front of the camera framing the truck in the center, then closing her hand as she drives past them. "[9] In the Chicago Tribune, Michael Wilmington wrote, "In its frames, we see [Varda's] empathy, skill, curiosity, wit, poetry and passion for life: everything she has gleaned from a lifetime of love and movies. Non Fiction. You pick ideas, you pick images, you pick emotions from other people, and then you make it into a film.”[14] To collect the objects of her gleaning, Varda chooses a digital video camera. By turns playful, philosophical, and subtly political, THE GLEANERS AND I is a warmly human reflection on the contradictions of our consumerist world from an artist who, like her subjects, finds unexpected richness where few think to look. France. These women incarnate the rural working-class. (33) IMDb 7.7 1 h 18 min 2017. "[3] The result of these subjects, Varda stated that "The more l met them, the more I could see I had nothing to make as a statement. 6 Nov 2010. "The Modest Gesture of the Filmmaker - an Interview with Agnes Varda. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. -TK 10/21/10. Keep track of everything you watch; tell your friends. While Varda did not pioneer the reflexive documentary (that honor goes to Dziga Vertov and his 1929 masterpiece Man with a Movie Camera),[15] her work has long been notable for its “reflexive and first-person tendencies.”[16], Another factor that makes The Gleaners and I especially noteworthy in the context of cinematic history is the fact that a filmmaker of Varda's stature chose to abandon high-end film equipment for low-end digital video. "[11] For Varda, digital cameras and editing equipment are simply tools that enable her to film by herself and to get closer to people "and to collapse the time lapse between wanting to film something and actually being able to do it."[11]. Rich, B. Ruby. (Technically, "gleaner" refers to someone who gathers leftover produce after the harvest, but the word is used here in a somewhat broader sense.) Summary: An intimate, picaresque inquiry into French life, as lived by the country's poor and its provident, as well as by the film's own director, Agnès Varda. An intimate, picaresque inquiry into French life as lived by the country's poor and its provident, as well as by the film's own director, Agnes Varda. The Gleaners & I. Les glaneurs et la glaneuse (original title) Not Rated | 1h 22min | Documentary | 7 July 2000 (France) Varda films and interviews gleaners in France in all forms, from those picking fields after the harvest to those scouring the dumpsters of Paris. Take a look at what 100 movies made the BBC's best of … "Gleaners Over Gladiators. In a number of scenes Varda shows and discusses the camera itself and in so doing transforms a film about waste into a reflexive meditation on the art of digital documentary. Year. Gleaners was distributed by Zeitgeist Films in New York, a company that has distributed films from such directors as Christopher Nolan and the Brothers Quay.[5]. The Gleaners & I 20 Nov 2010. In 2016, the film appeared at No. The Gleaners and I – Agnes Varda At the 21st century’s eve, Agnes Varda released a particular documentary called The Gleaners and I. "The Modest Gesture of the Filmmaker - an Interview with Agnes Varda." Director Agnes Varda and photographer/muralist J.R. journey through rural France and form an unlikely friendship. Varda describes her filming and writing process as cinecriture: the process of writing narration, choosing shots, encountering subjects, editing, choosing music is “all chance working with me, all this is the film writing that I often talk about.”[5] She describes in the press kit for the film that she and her team would travel and shoot for roughly two weeks at a time and immediately proceed to edit while scouting for additional locations. 305. For those who don’t know, gleaning consists of non-farmers collecting the year’s crops remains. Gleaners was filmed throughout France, in Beauce, Jura, Provence, the Pyrenees and in the suburbs of Paris. Most of the abandoned objects and shots she found, including the “dancing lens cap” and the heart-shaped potato, were “[strokes] of luck—and we immediately filmed it.”[5], Varda produced The Gleaners and I under Cine-Tamaris, the company she founded in 1954 and that has produced most of her previous films. Portraits of the people that occupy the small shops of the Rue Daguerre, Paris, where the filmmaker lived. The Gleaners and I (French: Les glaneurs et la glaneuse) is a 2000 French documentary film by Agnès Varda that features various kinds of gleaning. Registered user to use the IMDb rating plugin wine region, where surplus grapes are deliberately thrown the. At the 2000 Cannes film Festival a young woman 's body is found frozen in a piece of art kindness... 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