Make social videos in an instant: use custom templates to tell the right story for your business. Graves Without a Name searches for a path to peace. Panh is introduced having his head shaved at a Buddhist temple, the first step in an exploration of religious practice in which the director takes a mostly anthropological interest. Om daarmee de psychologische problemen die van generatie op generatie worden doorgegeven eindelijk een halt toe te roepen. Graves Without a Name searches for a path to peace. Kijk voor meer Franstalige, Nederlands ondertitelde documentaires op TV5MONDE. When a thirteen-year- old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? Live Streaming. Shifting focus to his own family tragedy, Rithy Panh picks up his reflection on the Khmer Rouge genocide where his Oscar-nominated doc 'The Missing Picture' left off. Graves Without a Name. Na The Missing Picture (2013) en Exile (2016) is dit het afsluitende deel van Rithy Panh’s trilogie over het collectieve trauma van Cambodja. Read Next: Ang Lee to Receive 2021 BAFTA Fellowship – Global Bulletin, LGBTQ Cinema Comes Out on International Stage, ‘The Spine of Night’ Review: Ultraviolent Throwback Animation Mixes Muscular Spectacle With Muddy Storytelling, ‘The End of Us’ Review: A Lockdown Breakup Comedy That Feels Uncomfortably Familiar, Paul Ritter, ‘Chernobyl’ and ‘Friday Night Dinner’ Star, Dies at 54, ‘Star Trek’: John de Lancie Returning as Q in ‘Picard,’ ‘Discovery’ Season 4 Trailer Released, Akshay Kumar Hospitalized, ‘Sooryavanshi’ Postponed, as COVID-19 Ravages Bollywood, 'Bridgerton' Breakout Regé-Jean Page Will Not Appear in Season 2, ‘Grey’s Anatomy’ Casts Robert I. 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TIFF ’18: Doc trailer round-up, part one. “Bad karma doesn’t wait for the next life,” states a trauma-raddled Khmer Rouge survivor toward the end of Rithy Panh’s “Graves Without a Name.” He says it in a tone of numb assurance, confident but also past caring: He may wish ill on those who murdered, raped and tormented his people 40 years ago, but with no chance of remedy for his own grief, he’ll leave it in the hands of the universe. International sales are being managed by Playtime. Amazon.com: Graves Without a Name: Yeay Eap Kang, Ta Tem Ren, Ta Mao Son, Voeun Veth, Yeay Beng Lourn, Yeay Lam Khin, Riithy Panh: Movies & TV Graves Without a Name movie reviews & Metacritic score: In Rithy Panh's latest exploration of the lasting effects of the Cambodian genocide, a 13-year-old boy who loses most of his family begins a … Spectral trees? If he never quite commits to faith, he’s open to ideas in his pursuit of spiritual healing, submitting to the apparent powers of shamans and mediums in an anything-goes attempt to commune with the dead. Door het gebruik van cookies kunnen wij meten hoe onze site wordt gebruikt, hoe deze nog verder kan worden verbeterd en om de inhoud van online advertentie uitingen te personaliseren. Rode Khmer.…, Catherine Dussart namens Catherine Dussart Production (CDP), Eric Tisserand, Vann Sereyrathanak, Julien Ngo Trong. Graves Without a Name searches for a path to peace. That affinity, however, gives Panh no leads on the more practical objectives of his mission: to find the grave of his father, or the mass burial site where the bodies of his mother and sisters were anonymously dumped after being executed. The film will fly to Toronto Film Festival immediately after the Giornate degli Autori at Venice. Genre: Documentary Date de sortie: 2020-05-12 Age: NR Durée: 1h 55min Réalisateur: Rithy Panh Société de production: Catherine Dussart Productions (CDP) Pays de production: Cambodia, France Prix iTunes: USD 12.99 iTunes prix récent: USD 0.99 Waar hun lichamen – en die van duizenden anderen – zich bevinden, is onbekend. Graves Without a Name Par Rithy Panh. After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. © Copyright 2021 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. By Daniele Alcinii. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Documentary. And above all, what is he looking for? Graves Without a Name Par Rithy Panh. Spectral trees? Graves Without a Name (2018). Greece Will Start Welcoming Vaccinated and Tested Travelers in May, Clorox Partners With Four NBA Franchises to Clean Arenas, The Chukka Boot Has Unlimited Styling Potential — Here’s Why We Refuse to Take Them Off, TV Ratings: Baylor's March Madness Championship Draws 13 Million. alles over ons cookiebeleid. Rithy Panh - 2018 - Na The Missing Picture (2013) en Exile (2016) is dit het afsluitende deel van Rithy Panh’s trilogie over het collectieve trauma van Cambodja. Having previously analyzed the mechanisms of crime, Panh now searches for a path to peace and acceptance. Na zijn filmische analyses over mechanismen van misdaad kiest hij met deze film voor het vinden van vrede en berusting. IDFA - Graves Without a Name Na The Missing Picture (2013) en Exile (2016) is dit het afsluitende deel van Rithy Panh’s trilogie over het collectieve trauma van Cambodja. Create. After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. Witnesses who are reluctant to speak? Getuigenissen van voormalige gevangenen en bewakers uit een strafkamp onder de Cambodjaanse S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Achtergebleven boeren vertellen met enige aarzeling, maar in alle eerlijkheid over de gruwelijkheden. After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his perso Perhaps this isn’t Panh’s final word on the matter after all. The ethereal touch of a brother or sister's body as the night approaches? Via boeddhistische rituelen wordt contact gezocht met de anonieme doden die overal zijn gedumpt. Cambodia’s present-day political corruption and … Graves Without a Name 2018 1 hr 55 mins After The Missing Picture (Un Certain Regard winner, Cannes and Oscar nominee for the Best Foreign Language Film in 2014), Rithy Panh continues his personal and spiritual exploration of Cambodia's Khmer Rouge era. When a thirteen-year-old child, who lost the greater part of his family under the Khmer Rouge, embarks on a search for their graves, what does he find? He returns to the countryside where he lost most of his family at the hands of the murderous the Khmer Rouge when he was just 13. Born in the Cambodian capital Phnom Penh, Panh lost his family after they were expelled to a remote labour camp during the Khmer Rouge regime in the country. Arthouse distribution, given a bump by the filmmaker’s raised profile in recent years, should follow easily enough. Rithy Panh. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, …more HBO’s ‘The Nevers’ Brings Joss Whedon’s Greatest Hits to Victorian London: TV Review, Ariana Grande, Justin Bieber, J Balvin to See Big Paydays From Scooter Braun Mega Deal, Avicii Biography to Be Published in November, Missing the Mediterranean? ‘Graves Without a Name’ Review: An Impossible Quest in Cambodia The filmmaker Rithy Panh attempts to find where his parents, victims of the Khmer Rouge, are … Met behulp van maskers en poppen creëert de filmauteur alsnog visuele gedenkplekken voor alle gestorven geliefden. France, Cambodia, 2018. Villages defaced beyond recognition? Graves Without a Name AZ Movies. Spectral trees? Introduction. Even as Panh’s more personal, more purply articulated quest gives the film its narrative thrust, these interludes are its most bluntly moving; gradually, the film’s various impassioned perspectives coalesce into a unified national cri de coeur. 115. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Villages defaced beyond recognition? Na zijn filmische analyses over mechanismen van misdaad kiest hij met deze film voor het vinden van vrede en berusting. Home » Graves Without a Name. For all its patient, heartsore excavation efforts, “Graves Without a Name” isn’t focused wholly on the past. S21 the Khmer Rouge Killing Machine and Duch, Master of the Forges of Hell analyzed the mechanisms of the crime. Synopsis. Rode Khmer. Genre: Documentary Date de sortie: 2020-05-12 Age: NR Durée: 1h 55min Réalisateur: Rithy Panh Société de production: Catherine Dussart Productions (CDP) Pays de production: Cambodia, France Prix iTunes: USD 12.99 iTunes prix récent: USD 0.99 Yet if he remains eternally uncertain as to the specifics of their fate, the frank testimonies of other survivors paint a vivid, lacerating picture of the possibilities: Shot in the fields where they make their meager living, Panh’s subjects share first-hand stories of brutal carnage and sexual assault, forced marriage under pain of death and, in one especially horrifying vignette, a starving woman stripping meat off the thighs of the dead to survive. Graves Without a Name searches for a path to peace. A tragic and mesmerizing reflection on the Khmer Rouge genocide, its casualties and those left in the wake of the aftermath, Rithy Panh's unforgettable Graves Without A Name is unflinchingly bold in its real-life representation of a horrifying history. At once Panh's personal eulogy to the victims of this pogrom (around one-fifth of Cambodia's population perished during the Khmer Rouge's four-year reign of terror) and a subtly informative treatise about history and universal humanity, Graves Without A Name is at once emotionally overwhelming, visually ravishing and intellectually stimulating. TV5MONDE is sponsor van alle Franstalige producties op IDFA 2018. Documentary . Where “The Missing Picture” was defined by its inventive use of clay figurines to revisit and reimagine the Cambodian genocide through a victim’s eyes — a kind of cinematic therapy for memory retrieval — such puppetry makes only a sporadic return in “Graves Without a Name.” Instead, Panh draws on a more scattered range of iconography, from folkloric masks and totems hanging from trees to creased, frail family photographs, to prompt his reflections on the atrocities. In extended poetic passages of self-reflection (delivered in French-language voiceover by Panh’s regular narrator Randal Douc) that bookend proceedings, he even counts himself among the deceased, felled from the inside by years of grief, psychic pain and recurring exposure to the horrors of the past. Panh keert terug naar het platteland, waar hij als dertienjarige het leeuwendeel van zijn familie verloor onder het moorddadige juk van de Rode Khmer. Rent $0.99 Buy $12.99 And above all, what is he looking for? Graves Without a Name searches for a path to peace. The ethereal touch of a brother or sister's body as the night approaches? Panh represents the vast variables of his search with simple, mournful visual trickery: The faces of his parents shimmer briefly on a river’s surface before melting into the water, while the unfolded garments of the dead appear and disappear on a desolate stretch of grassland. After The Missing Picture (Un Certain Regard winner 2013 and Oscar nominee for the Best Foreign Language Film in 2013) and Exile, Rithy Panh continues his personal and spiritual exploration. When a thirteen-year- old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? Getuigenissen van voormalige gevangenen en bewakers uit een strafkamp onder de Cambodjaanse Articles tagged with: Graves Without a Name. TIFF is a charitable cultural organization with a mission to transform the way people see the world, through film. A more intimate follow-up to Panh’s Oscar-nominated documentary “The Missing Picture,” this meditative piece likewise seeks to move past devastation and into a manner of still-painful peace. Following 'The Missing Picture' (Oscar nominee for the Best Foreign Language Film), Rithy Panh continues his personal and spiritual exploration of Cam… ‘Godzilla vs. Kong’ Is a Box Office and HBO Max Hit. … Will It Shake Up the Future of Moviegoing? Hun verhalen worden visueel begeleid door opnamen van het grimmige landschap en tragische laatste sporen van het menselijk bestaan: wat losse kleren, een oude lepel, vergeelde foto's. His perspective is rounded out, meanwhile, by wrenching interview footage with a large ensemble of rural residents still living all too tangibly with the consequences of the Khmer Rouge regime, as broken-down remains of the dead — teeth, buttons, bones — are still churned up in the soil they work on a daily basis. And above all, what is he looking for? Graves Without a Name is a Franco-Cambodian co-production by CDP - Catherine Dussart Productions. Documentary. When a thirteen-year-old child, who lost the greater part of his family under the Khmer rouge, embarks on a search for their graves, whether clay or on spiritual ground, what does he find there? Na zijn filmische analyses over mechanismen van misdaad kiest hij met deze film voor het vinden van vrede en berusting. His purpose is to discover the whereabout of the remains of his family who were murdered during the Khmer Rouge years. Graves Without A Name is a personal piece for sure, with Panh appearing onscreen in significant swathes of the film, a first in the director's three decades behind the camera. Cambodia’s present-day political corruption and social inequality weigh on its mind too, as some interviewees mourn what they perceive as a lack of fight left in a generation of Khmer Rouge victims still stunned into submission. When a thirteen-year-old child, who lost the greater part of his family under the Khmer Rouge, embarks on a search for their graves, what does he find? Broadcast your events with reliable, high-quality live streaming. Graves Without a Name searches for a path to peace. Directed by. Following its premiere as this year’s Venice Days curtain-raiser, festival rotation will be heavy for a film that might seem a heartfelt concluding statement on a subject that Panh has addressed in multiple projects since 1991’s “Cambodia: Between War and Peace” — though never with his lens turned so directly on himself. Director: Rithy PANH The film opens with director Rithy PANH having his head shaved in preparation for a religious rite. Spectral trees? Following the director himself on a study of indigenous ritual and mythos in search of his slain family’s unknown resting places, it’s a less formally rigorous work than “The Missing Picture,” perhaps by design: Sudden surges of emotion seem to guide its shuffling of symbols, techniques and points of view. 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